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What education and experience do you need to be a sound engineer for a festival?

Martin Ruff

There are two distinct things you need to have a grasp of to engineer the sound for a production.


The first is a good understanding of the equipment you are using. Not only do you need to know how to operate it and know how to make it work for you, you also need to know its limitations. Even small events with just a couple of PA speakers can sound great if they are set up correctly and you know how hard you need to push them.


When you are mixing a show things happen very quickly, so you need to know where to find all the controls straight away. 


The second thing you need to understand is how to mix the show and get a balanced sound. This is not as easy as you may think and it is all too easy to keep turning things up to get them heard, when often the better solution is to turn things down and reduce the overall volume.


A wide shot of an arc truss stage set up for a live performance, with a large audience in front. There are food and drink stalls either side

Both of these things require a certain amount of education and experience. 

Whether you get formal education, experience on the job, or self teach yourself with hours of youtube videos, you can get a really good understanding of the equipment and the basics of mixing, but nothing, other than experience, is going to prepare you to get the best mix.


It doesn’t matter how big the show, every gig under your belt will teach you something. Every one of our crew will tell you they learn something everyday. Whether that be how to use a feature of the mixing desk differently, or mixing a genre of music that they’re unfamiliar with, there is something new to take in each time.


All of these little experiences build up to give you a knowledge base that you can call on time and time again in your career as a sound engineer. The more experience you gain the bigger the show you will feel confident mixing.

All of our team had to start somewhere, for me it was at school (back in the 90’s) doing the sound for assemblies. Some of the other guys started with the sound for their own bands. I pursued my career by studying sound engineering at college and continued into West End theatre. 


However you develop your own career, it’s important to know how your equipment works, its limitations, as well as how to mix a show, before you can attempt to to take on the sound for a festival.


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